27th April - King's Day in the Netherlands

You can read about King's Day at this website on Amsterdam.  It's a public holiday with a street party focus.

The block is Dutchman's Puzzle in orange.

23 April - Shakespeare Day

William Shakespeare's birthday is the 23rd April.  It's also English Language day and Book and Copyright Day.

I've chosen Twist and Turn - like a Shakespeare plot. It's called Follow the Leader in Carrie Hall's Romance of the Patchwork Quilt.

Remember Me ~ An Introduction to Signature Quilts

Remember me when this you see - Jane Trayner, Lower Oxford, 1852 Remember Me When This You See ~ A Short History of Signature Quilts  An Introduction

The study of antique quilts is fascinating.  Quilts combine the spheres of artistic endeavour, social history and household utility.  There are so many ways to look at and discuss quilts and there is always one more quilt to discover. For me, signature quilts are extra special.  I inherited my first signature quilt and since then have acquired a few more.  In this series of postings I will share my passion of these quilts and I hope you will discover why I am so enthralled by these special reminders of our ancestors. A signature quilt is any quilt that contains blocks that have been signed.  Signatures can be written with ink, stamped with a manufactured stamp or embroidered.  Signature quilts are often called friendship quilts.  The blocks are made by a group of people for a special occasion such as a wedding, birth or farewell. The blocks may be all the same pattern made with different fabrics.   Chimney Sweep signature quilt, 1850-1870.  From the International Quilt Study Center & Museum. IQSC 2008.040.0181.    The blocks can be different patterns. Hargest Family Quilt made in Baltimore, Maryland, dated 1845. From the International Quilt Study Center & Museum. IQSC 2005.022.0001 Or the blocks can be a variety of patterns and even different sizes.  Sunnyside Album quilt, Miami County, Ohio, 1894.  From the International Quilt Study Center & Museum. IQSC 1997.007.0916. Sometimes, there are no blocks at all, just signatures. Redwork signature quilt, 1890, Beatrice, Nebraska.  From the International Quilt Study Center & Museum. IQSC 1997.007.0678 Quilting was not overdone, because the sentimental value was more important than the craftsmanship. Signature quilts made an appearance in the United States in the 1840s and quickly gained in popularity.  There were a number of reasons why this happened. As technological advances improved both printing and dying processes, printed material became cheaper and the variety of patterns increased dramatically.  Quilting and applique spread from the well-to-do ladies to the growing middle class. The industrial revolution saw a change from a rural society based on agriculture to an urbanised society based on industry.  Instead of a farming family working together to keep themselves fed and clothed and housed, the family unit was demarcated; men went out to work to be the providers, and women stayed at home to care for children and keep house.  Extended families dispersed.  Women turned to each other for friendship and support.  Their definition of family expanded to include female relatives and friends. At this time the autograph album and calling cards were used to record sentimental verse and friendly thoughts.  Giftbooks were popular from the 1820s to the 1860s and were a source of poems and phrases.  Magazines such as the Godey's Ladies' Book were another common source for friendship verses. The great western migration in America in the middle of the 19th century was another encouragement for the making of signature quilts.  Women left their parents, family and friends and moved with husbands and children across the mountains and plains to a new future.  A signature quilt became a reminder of those left behind and maintained a bond between the old and the new. Last but not least was an invention, the invention of indelible ink.  Indelible ink became commercially available in 1845 and steel nib pens replaced goose quills.  Writing was now easy and permanent.  Early homemade inks faded or left residues of iron and tannin which attacked the fabric.  Penmanship became an important feature of a young lady’s and a young man’s education.   Martha Lamborn's verse from the Chester Criswell Quilt.  Lower Oxford, Chester County, 1852  Jesse Jackson Smith's signature on the Chester Criswell Quilt, 1852

Palm Block for Palm Sunday

This block is called Palm Leaf or Hosanna.  BlockBase 1304.5.

I used foundation paper piecing to get nice sharp points.

Autism Awareness Day ~ The House Jack Built

2 April is World Autism Awareness Day.  I've chosen the block The House Jack Built.  Jack likes to play with Lego so I've chosen bright Lego colours for this block. 
The pattern is Barbara Brackman 2778 and was published in a Ladies Art Company magazine in the late 1890s.

Autumn Leaf - First Day of Autumn

In the Southern Hemisphere the 21st of March is the Autumn Equinox. In Australia we are looking forward to cooler weather and rain.

Autumn Leaf

The pattern Autumn Leaf is in Ruth Finley's book "Old Patchwork Quilts and the Women who Made Them."  The pattern is #2224 in BlockBase.

In the Northern Hemisphere the 21st of March is the Spring Equinox.  Which block? Why, Young Man's Fancy, of course.  Mine is fifteen inches square, each little section finishes at 3 inches.

In the spring a young man's fancy lightly turns to thoughts of love.  Alfred Tennyson

St. Joseph's Day - 19th March

On my first (and only) visit to Europe I stayed in Switzerland.   I was visiting in a Catholic canton and discovered that many public holidays are based on saint days.
The 19th of March is Seppitag - St. Joseph's Day.  It falls during the season of Lent so it's not the most exciting day.

Joseph's Coat

The block is Joseph's Coat BlockBase 2734.  The block probably refers to the Old Testament Joseph and his coat of many colours, but I used carpenter tools for the New Testament Joseph.